Alamo Drafthouse, the popular cinema chain known for its unique blend of food, drinks, and movie-watching experiences, has undergone significant changes in its executive leadership team. Following Sony’s acquisition in June, the company has promoted Dana Pearson and Alex Shullman to key positions, reflecting a strategic reshaping aimed at navigating the post-pandemic landscape. With this
Entertainment
In the vibrant world of Broadway, where the stage lights often symbolize the pinnacle of artistic expression, the recent revival of *Sunset Blvd* has proven to be a significant player, even against the backdrop of social and political discord. The musical, which features the captivating Nicole Scherzinger in the lead role, recently found itself embroiled
This past weekend, *Paddington in Peru* has captured the attention of audiences in the UK and Ireland, achieving a remarkable opening that has positioned it as the top British-produced movie of the year. With an impressive three-day revenue of £9.65 million ($12.4 million), it marks not only a significant milestone for the franchise but also
The recent foreclosure auction highlighted a critical juncture in the landscape of independent cinema and property ownership as Creditor Fortress emerged as the sole bidder for several properties previously owned by notable real estate investor Charles Cohen. Specifically, Fortress’s successful bid of $5 million for Curzon, a prominent arthouse theater chain and distributor in the
The independent film landscape is experiencing a vibrant resurgence, as a fresh lineup of cinematic treasures hits theaters across the nation. This past week marked a notable shift, particularly with the wide-release debut of “Anora,” Sean Baker’s critically acclaimed piece that has already won the prestigious Cannes Palme d’Or. As indies solidify their place in
In a move that underscores the competitive nature of the film industry, Warner Bros. has strategically adjusted its release calendar to maximize box office potential during the Easter weekend. Originally a placeholder for an undisclosed event film, the slot now belongs to Bong Joon Ho’s eagerly anticipated sci-fi thriller, Mickey 17, which has been moved
The film industry is navigating through an evolving landscape where box office contenders must constantly vie for the attention of an entertainment-hungry audience. This weekend’s showdown features Sony’s “Venom: The Last Dance,” which is projected to earn approximately $12 million in its third weekend. Meanwhile, A24’s latest horror flick, “Heretic,” directed by Scott Beck and
Broadway often serves as a vibrant tapestry of theatrical performances, with each production vying for the attention of theatergoers. One such production, the musical adaptation of **Death Becomes Her**, has captivated audiences with its enchanting display of star power and engaging performances. While its initial weeks hint at potential success, a closer examination reveals a
Robert Zemeckis, a renowned filmmaker credited with groundbreaking advancements in cinematic techniques, has established a reputation for innovating the storytelling experience in film. Whether it was the animated chimera of “Who Framed Roger Rabbit,” the poignant historical juxtapositions in “Forrest Gump,” or the game-changing motion capture in “The Polar Express,” Zemeckis has continually leveraged technology
Halloween has consistently been a time for celebration, where costumes and trick-or-treating often overshadow cinematic pursuits. However, this year marked a notable shift in behavior as audiences flocked to theaters instead of solely participating in traditional holiday festivities. The most recent data indicates that movie viewership experienced a striking 46% uptick on Halloween compared to